The mother-daughter team of Conant-Park and Conant have an imaginative series going with the "Gourmet Girl Mystery" series set in Boston. "Cook the Books" is the 5th in the series featuring not so aspiring social worker, Chloe Carter.
Carter is a somewhat typical 20-something. She has over-spent her credit limit doting on her best friend's baby. She hasn't really found her calling in life, but thinks she should at least give a try to finish a master's in social work (or at least that is what will qualify her to get access to a trust fund from a dead relative). She prides herself on being independent, and it is that stubborn independence that makes her stay in Boston when her boyfriend accepts a job as a personal cook in Hawaii and invites her to come along. She is so hurt that he made this plan without her participation she cuts him off totally, and makes herself miserable in the process.
Now Chloe desperately needs a part time job, and she responds to an ad to assist a cook book editor with the editing of a new cook book. The son of a famous chef is supposed to be working on the book and is making a mess of it. Chloe saves him organizationally and in terms of the recipes he is planning for the book. She proposes that they meet up with a friend of her former boyfriend, Digger, a chef who is about to open a new high profile restaurant in Boston. The night before the arranged meeting Digger is killed in a fire that sweeps through his apartment. Chloe has to discover who killed Digger and why while she juggles her work schedule, her school and clinical internship schedule, and resolving her feelings for the former boyfriend, Josh, who has returned to Boston for the opening of Digger's new restaurant.
The authors manage to keep the reader's interest throughout the book. Both authors are social workers, and Conant-Park is married to a Boston chef, so they write about things they know. They are able to legitimately endow their character with the kinds of skills and perception that make for good storytelling and great powers of observation for solving crimes.
I'm surprised I've missed the earlier books in this series and will make up for that by reading some of the previous books in the series.
Conant also has a well know series of mysteries for dog lovers, and I am familiar with some of the books in that series.
Liz Nichols
Showing posts with label food and mysteries. Show all posts
Showing posts with label food and mysteries. Show all posts
Monday, August 9, 2010
Sunday, July 6, 2008
Diane Mott Davidson's "Dark Tort"
I rarely read a mystery twice. What's the point? You already know "who done it?"
There are a few mystery authors whom I read for the pure joy of the fluid way they write, or because the characters are absorbing.
Diane Mott Davidson's series about caterer, Goldy Schultz is such a series. Goldy has become an old friend. It's as if she were a friend from college or high school I get together with a couple times a year. It is easy to pick up the conversation, just as if we talked just the day before. That's how I define a lifetime friend-- someone with whom the conversation never stops even when you don't see them but once or twice a year.
I care about Goldy, her family and friends. They could be my family and friends. Davidson's books are written in first person and everything is seen through Goldy's eyes. The plots are so thick and the characters so numerous that it would be easy to get lost or forget exactly how she resolves a given mystery. That's why rereading Davidson's novels are just as enjoyable the second time around.
The second helping of "Dark Tort" was no exception. This time I watched the interplay between the characters a little more-- the various partners and staff of the H & J law firm and their wives; the interplay between the Claggetts and the Ellises, the relationship between Nora Ellis and her father, Uriah Southerland, the things that the victim, Dusty Routt, had to say in her journal about various members of the firm, her former boyfriend, the famous artist and chef, Charlie Baker, and the mysterious "Other Mr. O."
I didn't do any better at guessing the killer the second time than the first, but I did enjoy paying attention to the details more the second time.
Anything by Diane Mott Davidson comes highly recommended to any mystery reader, and especially to fans of women sleuths.
Liz Nichols
There are a few mystery authors whom I read for the pure joy of the fluid way they write, or because the characters are absorbing.
Diane Mott Davidson's series about caterer, Goldy Schultz is such a series. Goldy has become an old friend. It's as if she were a friend from college or high school I get together with a couple times a year. It is easy to pick up the conversation, just as if we talked just the day before. That's how I define a lifetime friend-- someone with whom the conversation never stops even when you don't see them but once or twice a year.
I care about Goldy, her family and friends. They could be my family and friends. Davidson's books are written in first person and everything is seen through Goldy's eyes. The plots are so thick and the characters so numerous that it would be easy to get lost or forget exactly how she resolves a given mystery. That's why rereading Davidson's novels are just as enjoyable the second time around.
The second helping of "Dark Tort" was no exception. This time I watched the interplay between the characters a little more-- the various partners and staff of the H & J law firm and their wives; the interplay between the Claggetts and the Ellises, the relationship between Nora Ellis and her father, Uriah Southerland, the things that the victim, Dusty Routt, had to say in her journal about various members of the firm, her former boyfriend, the famous artist and chef, Charlie Baker, and the mysterious "Other Mr. O."
I didn't do any better at guessing the killer the second time than the first, but I did enjoy paying attention to the details more the second time.
Anything by Diane Mott Davidson comes highly recommended to any mystery reader, and especially to fans of women sleuths.
Liz Nichols
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